All expansion groups included with the instrument have been grouped by Banks within the NKS browser for easy browsing. When recording a great piano in the studio, you want options.The Ravenscroft 275 NKS Library for Komplete Kontrol / Maschine contains presets in NKS compatible format to allow browsing and control over the instrument from Komplete / Maschine software and hardware.Įach preset has detailed controller mapping, sound preview as well as library database and artwork files to integrate Ravenscroft 275 into your NKS user library. Versatility in microphone setups is needed to cover any playing style or mix without being limited to one basic tone.

Plus the microphone selection and placement in and around the piano affect the stereo image and what tonal aspects of the piano are being recorded. The four discrete phase-aligned mic setups of the Ravenscroft 275 accurately capture its unique voice in exquisite detail and can be used individually or mixed in any way. World-class mics and preamps were used throughout. Tones from close and intimate, diffuse and distant, warm or brilliant, all can be acheived with one or more of these mics. Load the samples you want and activate or deactivate mics without having to unload and reload the samples. This is the Ravenscroft 275 virtual piano studio. If you are experiencing latency issues when using Ravenscroft 275 with Band-in-a-Box for Windows. On the site presents the best of software virtual instruments & libraries, as well as programs for recording music on a computer.īest of virtual instruments & library - a site for musicians, sound engineers and music lovers. The Main control panel features the Mic selection and mixing section center stage. Loading microphones is quick and easy while memory usage remains very reasonable.

Adjust the mic's volume with the slider and shut the mic off with its power switch. If a mic is loaded but deactivated by switching it off, no polyphony is used and system resources are conserved. Much time is also saved by not having to unload and reload mic samples letting you have quicker access to all the mics at once. The microphone selection and setups were chosen for their variety of use, the character of the piano we wanted to capture as well as how they compliment one another when mixing.ĬLOSE: A mix of mics inside the piano placed over the strings and hammers that capture a punchy detailed tone with a big stereo image. Great for pop/modern playing and hold up well in any mix. PLAYER: A stereo pair of mics that capture the sound heard sitting at the keys and pick up more of the hammer attack. More distant than Close mics, they're great for classical and player's perspective while also mixing well with other mics.

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